Ride
Nowhere
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Paul Auster
Moon Palace
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bright golden daffodils the color of forsythia;
unusually serious conversations with Todd;
warm sun on my typing fingers;
Laine's whispery secrets over the telephone
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I wrote to LA Michael this morning to tell him
that I saw Pollock last night and that Ed Harris was so so so so
robbed of that Oscar that I couldn't even talk about it.
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It's impossible to explain to you how funny
it was that I took a picture of my mother's endless industrial-
sized container of saran wrap (a box she's been using since I
was 12 years old and an endless source of folklore and amusement
for my family and Todd), pasted it onto the back of a postcard,
and told Todd that I hoped his recovery didn't take last this long.
But the sad part is that he never received the postcard. Lost in the
dead letter pile of some random post office between here and Boston
is the funniest piece of art I've ever created.
Damn it.
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Laine wrote to tell me that my adventures in DC's
club lands sounded so glamorous. I had to laugh. It's just like when
she tells me she's working late and I think of her alone in her enormous
office, diligently pushing something forward under a deadline,
and taking a taxi home through all the glistening Manhattan streets
and I get a little jealous. To me, that sounds glamorous. It's all
in the wistful little details we paint into those corners that make it
so.
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Tonight is more glistening pop at the Black
Cat. A double bill of two local favorites, Aden and True Love Always.
The possibility for more randomly instigated conversations. And a
chance to practice those skills in talking to strangers that
got so lost and unshapely during my Boston tenure.
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