I finished Paris to the Moon last night before bed, lingering over the last essay in the same
way that I sauntered along the Seine on the close of my 30th birthday. And now Paris chimes inside my mind like a cliche
of which I never grow tired. I swim in nostalgia.
"Walking out into the pure violet and gray light of the place de la Concorde at twilight
in December, [we] had it to ourselves. The Concorde at Christmas at five o'clock has as many subtly distinguished shades of gray
as a pair of flannel pants painted by Manet."
"The entire tower turned on, twenty thousand or so small flashbulbs that had been wired
to the tower went off at once, blinking hyperfast. The tiny constant explosions of the little bulbs made the tower look as
though it had been carbonated, injected with Seltzer bubbles. It was a beautiful sight. 'It looks like champagne,' Luke said,
and we laughed."
I remembered Joanne telling me about her months in Paris studying at the Sorbonne-- how she used to take busses around town
rather than the Metro so that she could gaze at la Tour Eiffel during the ride. I thought of the curly, vintage Metro signs,
the curved, tiled station walls, and how I tried to persuade Erika to call it, "Monsieur Metro," much like Laine calls the DC
Metro, "Mr. Metro." And then I started to sink deeper into my white sheets with yellow daisies and wonder what airfares
to Paris are like in July.
But perhaps I'll be content to pass the evening with a beautiful Fitzgerald short story, wait impatiently for my magical,
digital, oh-so-Parisian package to arrive surprisingly from Houston when I least expect it, and slip into a sleep animated with
a sunny walk among the talking chairs of le Palais et le jardin du Luxembourg.
Perhaps.
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